More than two decades of pixels, layers, masks, and making things work
I’ve been working with Photoshop since Photoshop 6 in 2000. Over the years, it’s become less of a piece of software and more of an extension of the way I think and work visually.
I’m comfortable with nearly every part of Photoshop and use it across a wide range of creative and production workflows. That includes photo retouching, compositing, color correction, masking, selections, image manipulation, digital painting, typography, product visualization, mockups, texture creation, prepress, asset preparation, and much more.
I’ve used Photoshop for everything from quick everyday production work to complex, multi-layered composites that require careful masking, lighting, perspective, color, and finishing to bring everything together convincingly.
Years of experience have also taught me that knowing the tools is only part of the job. Knowing which tool to use, how to work efficiently, how to keep files organized and editable, and when to approach a problem differently can be just as important.
Photoshop has changed considerably since I started using it, and my workflow has evolved along with it. Whatever the project calls for, chances are I’ve done something like it in Photoshop—and if I haven’t, I know my way around well enough to figure it out.