Nearly two decades of making pixels move, layers connect, and ideas come to life
I’ve been working with Adobe After Effects since 2008, using it professionally across television, advertising, technology, and nearly every creative role I’ve held along the way. Over the years, it’s become one of the most important and versatile tools in my creative workflow.
My work spans motion graphics, visual effects, compositing, 2.5D animation, 3D integration, typography, product visualization, tracking, keying, color correction, and just about anything else that involves bringing visual elements together.
While Photoshop remains an essential part of my toolkit, After Effects has taken over much of the work I once did with static images. Its ability to combine layers, cameras, lighting, animation, effects, and dimensional space makes it an incredibly flexible environment for both still and moving imagery.
I’ve used After Effects to create everything from broadcast graphics and commercials to animated interfaces, explainers, branded content, product animations, complex composites, and visual effects.
I’m comfortable working with its extensive collection of tools, effects, expressions, plugins, and workflows, whether that means building something entirely from scratch or finding creative ways to solve unusual production challenges.
After nearly two decades, After Effects has become more than animation software for me. It’s where design, photography, illustration, 3D, and storytelling come together—and where almost any visual idea can become something real.